Hollywood and the Awards Season Wrap Up
By Mary Beth Gentle
The envelopes have all been opened, the statues handed out
and red carpets rolled back up until next year.
The Award Season is over. There
were the big winners and there were those that were happy to just have been
nominated. One of the big winners this
year was Screenwriter Annie DeYoung, recipient of the WGA Award for Children’s
Long Form TV Movie, Girl vs. Monster. Annie is the writer of many Disney Channel
hits such as the Princess Protection
Program, 16 Wishes and Starstruck.
She is not new to the Awards circuit,
having previously won the acclaimed Christopher Award for The Ron Clark Story starring Matthew Perry
and the Humanitas Award and WGA Award for the Disney Channel hit, Johnny Kapahalai:
Back on Board.
For the
big Award day Annie left the cold of Chicago behind and headed to sunny Los
Angeles for the ceremony at the beautiful
J.W. Marriott Hotel at L.A. Live in Downtown.
She hit the red carpet at the Writer’s Guild Awards where she posed for
the slew of photographers. The one place
and the one time of the year that the Writer’s are the stars! After the Awards were over I asked Annie a
few questions.
What is your highlight from the
WGA Awards?
Inside the hall where the ceremony was going
to be held, there were 76 tables. I found my name at table 72, in far
back corner. Nathan Fillion, the host, was a tiny speck on the faraway
stage. There were two handsome guys seated next to me and I soon discovered
I was dining with Mikke and Emmet Pierson, son and grandson of Frank Pierson,
the Oscar-winning screenwriter of Cool
Hand Luke and Dog Day
Afternoon. Frank passed away in July, so Mikke and Emmet were
there to honor him. They aren't writers or directors or producers
-- Mikke owns a surf & skate shop in Malibu called ZJ Boarding House, and Emmet is
a MVP on Malibu High's water polo team -- but their father &
grandfather, Frank, had been the President of the WGA for several years,
so I felt like I was dining with Hollywood royalty. When it came time for
me to go backstage to get my award, I looked at the long walk from table 72 to
that distant stage, considered my pretty-but-ill-fitting shoes, and decided to
ask Emmet to escort me. The highlight of my night was introducing such a
cool, poised young guy from that stage.
What did you say in your acceptance speech?
I was standing backstage with Emmet and Ron
McGee (who had done a rewrite on Girl vs. Monster,) waiting for Nathan to
announce our award. We were in a tiny
little “living room” the show producers had created for people like us who are
pre-set to go onstage. There were some
cool retro sofas, a make-up chair where one of the award presenters was having
his nose powdered, and a refreshment table.
We could only see and hear the show going on just a few feet away on a
cameraman’s small monitor. We were
relaxed, joking around, when suddenly, the curtain parted and Steven Spielberg
walked in. I’ll admit – I was
star-struck. I didn’t introduce myself,
but I did watch him drink a cup of coffee and edit the speech he was going to
give. Then Nathan announced our award and off we went to the stage and the
lights and the podium. It’s all a blur
now, so I can’t quite remember what I said.
I can tell you what I wish I’d said:
“Thank you, WGA, for this award -- I respect all of you so much, and
when this is over, I’d like to get your autographs. All of them.
If you happen to be a seven-to-eleven year old girl, you might want mine
too. Maybe you’ve never seen a Disney
Channel Original Movie – or maybe you were forced to watch Girl vs. Monster
with your nine-year-old niece. I hope it
wasn’t too excruciating for you. I mean,
if I knew you would be watching, I would have suggested having a cocktail or
two… or three. The characters in Girl vs. Monster didn’t hunt for Osama Bin
Laden or free hostages or abolish slavery.
They were normal kids – okay, with perfect skin and really great hair
and awesome singing voices – who faced their greatest fears and inspired the
trust of their parents. Thank you for
trusting me to entertain your children.”
Do you feel the WGA nomination
and winners were a fair representation of the films of 2012?
There were so many terrific films this year,
and there are always a few I think are unfairly bypassed when award nominations
are announced. The Avengers immediately
comes to mind this year. It was easily one of the best scripts of the
year, but being in the super-hero/summer-blockbuster category didn't help its
chances when it comes to award nominations. Of all of the scripts and
films that were nominated, Cloud
Atlas was one I feel deserved more recognition than it received.
It's one of those polarizing films -- some love it, some hate it.
It was an ambitious project -- maybe impossible to do in a way that would
please everyone -- but as a screenwriter, I admired it. I felt the same
way about Moonrise Kingdom.
I adored it for its originality.
What does winning this award
mean to you/for you?
Winning an award for writing -- any kind of
writing -- is incredibly exciting, probably because writers work alone so much
of the time. The WGA Award is a special honor because the people who vote are
other screenwriters. Peer recognition is always a good thing.
For Annie DeYoung and all the other writers nominated this
past year – I would like to say thank you for making us laugh until our sides
split, for making us cry through a box of tissues and for being the real stars
of the wonderful world of entertainment.
